Even if a reader has lost someone, she probably hasn't fell to her knees in the mud on a cold November morning, for example. These kinds of specific details take an otherwise generic event and make it personal. For example, in a line that describes you falling on your knees while crying after losing someone, you might describe the way the ground felt under your knees, or how the wind felt blowing on your back. You can use strong, captivating adjectives and adverbs to build off of your imagery while also adding to it. Either way, it will only make your song stronger in the end. It might help you determine what the proper course of events would be, or it might simply get more ideas down on paper.

If you're having trouble writing the narrative verses of your song, try writing a very short story about your song's subject.

You should be able to come up with some concrete, descriptive action phrases.

If you're having a hard time with the action of the verses, look back at your original list, read over your chorus, and think about the central subject of your song.

It's more powerful to hear a lyric like, 'I write your name inside of every single heart I see' than to simply say 'I love you.' Saying 'I love you' in a love song risks being boring to the audience, whereas some descriptive action that indicates love is much more meaningful.The old writing adage 'show, don't tell' applies to songwriting as well.Action also helps you show the reader what you're thinking or feeling without having to explicitly speak your thoughts/feelings. One of the most important components of a song verse is the action that drives the song's story. Now that you have a subject and your reaction to it, you'll need to more-or-less narrate the events that led to your reaction. A protest song whose verses detail/narrate some social event (say, for example, the execution of an innocent person who's been wrongfully accused) should have a chorus that deals with what it all means - it may contain outrage, horror, grief, or something else entirely, but it functions as a sort of condensed reaction to the subject.Р”Вetermine the action.The verses may narrate how that heartbreak came about, but the chorus should be very emotional, image-based, and/or contain your reaction to the fallout of the relationship. In a song about heartbreak, for example, the chorus should talk about the emotional reaction to losing someone.

Even though you haven't written the verses yet, your chorus at this point should still describe a clear reaction to whatever the song is about. Thematically, the chorus should basically condense your emotional reaction to the events, people, or places mentioned in the verses. Once you have a few lines of the chorus, see if it all makes sense as a whole.

How deep is your love song lyrics